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I won’t lie, I am not an avid festival-goer.  I have never been able to pull off ‘festival chic’ despite my best efforts and, honestly, despise those who can.  But this year, I have decided, seeing as I live a a short-stop away from V Festival, to partake in a day ticket and thoroughly attempt to give those naturally festival approved shlebs a run for their money (Chung, Moss, Watson, I’m talking to you).  And seeing as my all-time embarrassing crush, David Guetta, will be in attendance, this may be the reason I am spurring myself on!

Alexa Chung Festival fashion

And with 5 months to go, I am currently going to focus on the most functional, yet still focal point of any perfect festival outfit; footwear.  Seeing as it can only be classed as stupid to do a Sienna and wear Vivienne Westwood pirate boots in the mud (seriously, more money, else freebies, than sense) there really is only one practical choice, that being the classic Welly boot.  Thus, I have been getting a little over-excited at the prospect of a pair of metallic gold Hunter boots.  Well, if you are going to welly it, then Hunter is the go-to label.  However, at £95 a pop, just to roll around in mud in, it may be worth spray painting a pair and using the extra £90 on beer tokens.

Gold wellies gold welly boots gold hunter wellies gold hunters gold wells festivals 2012 festival chic festival wellies hunters festivals

Or some shiny quilted ones…

On the flip side, however, I did come across some financially friendly, yet stylish wellies on JuJu Shoes.  This biker-chic pair wouldn’t look out of sorts on Kate Moss’ tootsies and at £29.99 from Mr. Shoes you probably wouldn’t be so precious about getting a little grubby.  And could probs stash a couple of Jack Daniels minis down the sides too.

wellis festivals 2012 welly boots festivals wellies festival festival wells 2012 biker wells rock chic wellies

So, if any one has any style-wise tips on the perfect festival outfits and is an absolute festival pro, do share, and help the feeble!  It could be my last chance to impress Guetta…

After a hard week of Fashion Show grafting from the Style & Then Some team, I decided that the last day, namely the last ever Menswear Day in London, (it will be expanded to three days in June to coincide with the international Menswear Weeks hosted by Milan and Paris) should be given a proper send off.  And let’s face it, when you’re reporting from the front line (or the back row, depending on how lucky you get) it isn’t all glamour and high heels.  

Oh no, it’s elbows and being knocked out by camera lenses in the photographer’s pit, or else craning your neck and spraining your ankles for a good view from the standing section.  But, as I am sure you will agree with me if you too have been in the trenches this season (comrades, I applaud you), that afterwards, when you sit back and drink it all in, it’s just so worth it.

But back to the Boys I hear you say!  Well, yesterday (Wednesday) I decided to enlist the help of two male friends and drag them (actually, they were both well up for it) along to the Ones to Watch:Men and James Small shows respectively.  My aim of the night was to analyse their attitudes towards the shows, and get some variations on male opinions regarding the collections on offer.  After a week of straight womenswear and women’s opinions on Style & Then Some, I thought it would be a nice change of pace to sit back and let the boys do the talking.

Julian Zigerli london fashion week Julian Zigerli AW12 London Fashion Week Julian Zigerli Ones to watch:men AW12 Vauxhall Fashion Week

First up, was Adam, at the Ones To Watch: Men showcase.  The show saw Bodybound, Joseph Turvey, Julian Zigerli and Tobefrank showcase their AW12 efforts and this was to be Adam’s first ever fashion show.  Despite making comments like ‘that’s a funny little outfit, aye’ outside the venue to several fellow spectators, it was refreshing to hear a guy, who doesn’t work in the fashion industry, tell it like he saw it.  With regards to his favourite collection on offer, Adam declared it was to be Julian Zigerli.   When asked why, it turns out it was because the garments were ’ all using light patterns, you know, Paisley and that’ and that the shades were to his liking- ‘All bold autumn colours, stone, brown and green, like’.

Despite me watching Zigerli’s technical structures in awe, such as a conceptual top that functioned with a built-in backpack, my companion pointed out that this would be damn impractical and useless for the everyday man…something I cannot argue with.  ’You’d have to take your top off to put anything in your bag!’ he quite rightly pointed out.  Damn, why are men so practical!  With regards to the other designers showcasing, me and Adam were in agreement that Bodybound was a shimmering delight (my words, not his).  With gold foiling being a major trend on knitwear for women for the last two seasons, it has finally made its way into menswear.  Just another excuse to steal your BF’s clothes girls.

After a quick Corona, I traded my fashion show newbie in for a seasoned pro.  Daniel Thomas, a menswear designer and fellow Leeds College of Art post-graduate accompanied me to the closing show of the season, the highly anticipated James Small spectacular, sponsored by the amazing Vauxhall Fashion Scout (thank you for letting us decamp at Freemasons Hall all week, by the way!).  After somehow managing to blag second row seats, the show began to quickly fill up with celebs such as Jaime Winstone, Jo Wood, Mr Hudson and, lo and behold, Mr. and Mrs. Kate Moss.  I fear I may have actually been blinded by her engagement ring from across the room.  The collection itself was incredible, and my second companion commented on the show thusly:

    The James Small show was the perfect end to Fashion Week – they always save the best for last.  For me the best pieces from the show were the jersey skinny trousers and the jersey waders were insane. The wool jackets were so stylish and well cut, and the use of pockets throughout the collection was just brilliant.  The patch pockets with flaps can sometimes look really messy but I felt they were really considered in the design of the garments. There was one double-breasted blue jacket with Raglan sleeves which was to die for. It was so well cut and well designed I felt it was like a jacket you would wear in Fashion Heaven.  I really liked the fur in the collection as well – the big hug in a mug jacket was amazing.  So Pete Burns chic. Overall the whole collection was a huge success.  Plus personally I would wear every last one of the garments that came down the catwalk.’

Overall, it was a good little experiment to gain different insights in to the male psyche.  Plus I got to sit back and watch a whole host of male models, and Kate Moss.

   James Small AW12 London fashion week Menswear day James Small  aw 12 london fashion week james small kate moss aw12

James Small AW12 London fashion week Menswear day James Small aw 12 london fashion week james small kate moss aw12

The fashion industry’s obsession with all things young and beautiful shows no sign of abating. Earlier this week The Daily Telegraph reported Anais Gallagher (daughter of Oasis front man Noel and ex-wife Meg Matthews) is set to launch her modelling career, having signed a contract with prestigious model agency Select.

In many senses, she is perfect for the profession: icy blonde, lithe-limbed and with previous modelling credits including a campaign for Paul Smith. Great. The only issue with it all is that she’s 11 years old and already being pitted as ‘the next Kate Moss’.

No doubt her celebrity credentials will stand young Anais in good stead – mum Meg has already tweeted a pic from her first test shoot with none other than Mario Testino and, age aside, it is stunning.  But isn’t there something quite curious about the fact that a girl can’t walk down a catwalk if she is under 16 and yet some of the biggest (and most controversial) campaigns of the past year have featured child stars – namely Hailee Steinfeld for Miu Miu and Elle Fanning for Marc Jacobs?

Granted, both the above landed their campaigns after some brilliant acting work and personify the youthful brands. And they aren’t the first. The long history of child stars moving into the world of modelling stretches as far back as Jodie Foster, after her turn in Bugsy Malone, or Brooke Shields in the 70’s following her role in Pretty Baby.

And yet it continues to niggle away at me that they are, legally at least, still children. Comparing an 11 year-old to one of the most iconic models of the 20th century seems daft (the fact that I can’t even publish a picture of her with this and yet her face could easily be plastered across a billboard in a year, even more so). But the nub of the issue isn’t prospective legal woes or fashion journalism’s institutionalised hyperbole – it’s the fact that the news sets a dangerous, if not impossible, precedent in the modelling industry.

What do you think – is the modelling industry straying into dangerous territory with child models? Tweet us @Style_ThenSome to let us know your thoughts

Picture credit: Ontario Fashion Week / REX features

It’s nothing new hiring celebrities to model and prance about in advertisement campaigns.  Actually it’s rare to find a label that doesn’t take this approach.  And who can blame them?  It is usually a guaranteed money maker.   However, sometimes I do find myself getting increasingly irate when confronted with the same old poster campaigns.  Oh look, Kate Moss with her kit off holding a bag…Oh look Kate Moss with her kit off wearing some jewels…Yawn.  So it is somewhat refreshing to see the urbanwear label G-Star Raw taking a fresh approach with theirs.

Clemence Poesy G-Star Raw advertisment SS12 G-Star Raw advertising campaign SS12

With previous models for the brand including the up-and-coming actress Gemma Arterton, as well as Champion Chess Player Magnus Carlsen, these two didn’t necessarily seem obvious choices.  Yet the beauty of the advertisements, shot in black and white by Anton Corbijn, grabs and holds your attention much more than any bog-standard Louis Vuitton campaign.  And with one of my all-time favorite fashion pin-ups, the fantastic Clemence Poesy, taking over from Miss Arterton for SS12, I cannot wait to see the rock ‘n’ roll inspired direction and styling she will be taken in by G-Star and Anton.

Gemma Arterton AW11-12 G-Star Raw campaign advertising G-Star Raw Advertisment So bye bye Gemma, you served G-Star well.  But it is Poesy time now!

When tasked with blogging about ‘pure British style’ by shoe heaven website Sarenza (we went to their bloggers event last week) there were two style icons that immediately came to mind for me. Easily the two most famous brides in the world this year, they’re both British style icons and they’re both called Kate (sorry, but I can’t get used to this Catherine business). I got to thinking about what the Duchess of Cambridge and Kate Moss could learn from each other when it comes to footwear fashion…

Personally, I’m a bit bored of the same old mid-height courts in neutral colours that Catherine is always wearing. I’d rather see her in something way more daring, like these lipstick red Alvery heels by Pour la Victoire, £249. They’d look great with a floral Erdem dress.

Alvery shoes by Pour la Victoire on www.sarenza.co.uk red court shoes red high heels red patent heels red shoes red platform heels

Mrs Moss, on the other hand, could have a go at a look that the Duchess chose for about half a dozen weddings this summer – the nude patent court. But rather than a delicate stiletto, the leg-lengthening platform-soled Jupiter by I LOVE SHOES (£63.75) is much more Moss’s style.

Alvery shoes by Pour la Victoire on www.sarenza.co.uk nude court shoes nude high heels nude patent heels nude shoes nude platform heelsWhich Brit style icons do you think should take a leaf out of each others’ wardrobes? Tell us in the comment box below.

Check out the rest of the new autumn/winter collection on Sarenza.co.uk.

What did you think of the bias cut Galliano slip dress that Kate Moss wore to her wedding? Yes, it has her style written all over it but the groom Jamie Hince didn’t find it difficult to rise to the occasion in a pale blue Yves Sant Laurent suit. I loved her hair done wavy, her veil, the flowers in the bridesmaids’ hair but I am still not convinced by the dress.

The sheer, embellished train (rhinestone embroidery kept to white and metallics) is romantic and I like the fact that she looks like a 20s flapper who has just run away to get hitched. But it feels a bit too sensible and forgettable, a bit too “I’m too cool to make an effort for my own wedding”.

The fashion titbit that I love (and I hope is true) is that Manolo Blahnik designed Kate’s shoes to have a blue insole as her ‘something blue’ – not every model gets that, I’ll bet.

Pictures here and I’d love to hear everyone who disagrees with me…

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